Players assume the role of female character Wilona who embarks on a mission to save children held captive by her Father. Avoiding spoiler territory, Rain of Reflections presents a tale featuring a disjointed futuristic family set within a dystopian mix of cyberpunk themes and gritty fantasy futurism.
Rain of Reflections kicks-off with some standard point-and-click adventuring. Although the choice to use either mouse and keyboard or a gamepad is welcome here. Pretty standard fare one might assume. Once players leave the apartment, the game introduces turn-based battles. These are a good choice to include in an adventure game of sorts.
Think XCOM on a lesser scale. In-fact the opening battle leans on the side of how players can stealth their way through the encounters. This theme follows through to the later encounters as well. However, toss a weapon into the mix and another character to control and well, the options increase. What is interesting about the combat mechanics is the motivation system which determines whether a player is successful or not. This replaces health so-to-speak.
For example, players move into cover but if the enemy destroys the cover your character will lose motivation points. In reverse then, if the motivation of the enemy hits rock-bottom, they flee the battle. Adjust the camera settings. Camera settings will depend on the creative effect you are trying to achieve. Search form Search. Raindrop Reflections Just Add Water For Close-Up Magic by Lindsay Adler Flowers provide endless photographic opportunities and when you add rain into the mix the images become even more beautiful and mysterious.
The camera is on a tripod with a macro lens focused on a raindrop the arrow is pointing at a raindrop. The circled flower is the flower being reflected in the raindrop itself. It is held in place and positioned by a Plamp. When positioning the flower, you must consider that the image you see is inverted—upside down and backwards.
In the bottom right of the picture you see the spray bottle used to wet the flower. Here you can see a bit better the size, shape, and location of the raindrop that will be photographed. The arrow points at the raindrop I have focused on, and the circle surrounds the flower contained in the reflection.
When I focus, I must focus on the reflection inside the raindrop, not the contours of the raindrop. Once I position the flower within the raindrop, I have given myself a Imagined Glow - Reflections Of Internal Rain - Answers (CDr) beautiful and soft background. I can reflect any raindrop I want and I can also spray the plant again if I want a different raindrop in a different location to appear or if I accidentally bump the flower and knock the raindrop off.
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Are Your Prints Too Dark? Here the angle of refraction is 31 degrees. This car for example first turns towards the normal and then turns away from the normal. When light passes from one substance to another at an angle and slows down, it turns, or refracts, towards the normal.
When light passes from one substance to another at an angle and speeds up, it is said to turn, or refract, away from the normal. You can use the simple mnemonic FAST to help you remember it.
And what happens if the light beam strikes at an angle of incidence of 0 degrees? A vacuum by definition has a refractive index of exactly 1 and the refractive index of air, Imagined Glow - Reflections Of Internal Rain - Answers (CDr) also 1 since the speed of light in air is pretty much the same as it is in a vacuum. Its refractive index is 2. The 2 in this case indicates that there are two hydrogen atoms.
When light goes from a lower refractive index material to a higher refractive index material, it slows down and turns towards the normal, and when it goes from a higher refractive index material to a lower refractive index material it speeds up and turns away from the normal.
As we increase the angle of incidence, the angle of refraction also increases, but the light refracts more in perspex than it does in water. At an incident angle of 80 degrees, the light beam deviates, or turns by 32 degrees when it enters water, but it deviates by 39 degrees when it enters perspex, Imagined Glow - Reflections Of Internal Rain - Answers (CDr).
As you can see, the more the light slows down, the more the light beam refracts. Or, to put it another way, the greater the refractive index difference between the two materials that the light travels in, the greater the refraction of the light ray. Now it was by studying refraction that scientists discovered that white light is actually a mixture of lots of different colours, the colours in fact of the rainbow: red, orange, yellow, green blue, indigo and violet.
When a beam of white light refracts, each colour refracts by a slightly different amount. The dispersion in the diagram has been exaggerated. The refraction of light affects the way we see things. If the light rays have changed direction on the way from the object to our eyes, then the object appears to be in a different position to where it really is.
The light rays coming from the lower half of my face had to pass through the water to get to the camera. Because of refraction they ended up entering the camera from a direction to the right of where my face actually was, so it looked as if my face was split in two.
Light coming through a sheet of glass like the windscreen of a car or a window, does much the same thing, but to a much smaller extent. So this is where the rod appears to be. This also happened to the light rays coming from the top half of my face in the previous scene.
More glass though increases the shift. Why not? Because of refraction. Sunlight that hits the timber reflects off in every direction of course, but the camera will only detect light that enters the camera. The light coming from the bottom of the timber that moves directly towards the camera never actually reaches the camera because it refracts away Imagined Glow - Reflections Of Internal Rain - Answers (CDr) the normal when it hits the air, and misses the camera.
The light is still coming from here, but it seems to be coming from here. Though the bottom of the timber is 50cm below the surface of the water, it seems to be only about 10cm or so below the surface. Because of refraction, when viewed from an angle, all swimming pools appear to be shallower than they really are. Here, the bottom of the timber is actually about 40cm below the surface of the water, but it appears to be only about 20cm below. If the fish is actually here, the light travels upwards and refracts away from the normal.
Our eyes therefore point along this line of sight, which continues along this line and so the light appears to be coming from here, and this is where the fish appears to be. To spear the fish, you have to ignore where you see the fish and aim lower than where you see the fish. I wonder what modelling clay tastes like. How many fish are we actually looking at? Well, we can see the images of the fish here because of the reflection off the glass. But are the fish we see in the tank doing some synchronised swimming or are we seeing double?
This is the light we see. Since we have to look along this line of sight, the fish appears to be here. From certain angles, one fish appears to be two fish. When you go snorkelling, refraction occurs when light passes from the water into the air gap between your mask and your eyes. This has the effect of making everything look bigger than it really is.
It therefore appears to be coming from here somewhere. Real size, apparent size. In all seriousness though, they say that you should never swim or dive alone just in case you get into trouble. Underwater cameras also have an air gap between the protective glass and the lens. Above water, our scene is 7 tiles wide. When the camera moves underwater, the tiles seem to be larger and only 5 tiles now fit across our scene.
A lens is a piece of transparent material Imagined Glow - Reflections Of Internal Rain - Answers (CDr) is curved in a specific way. Lenses can refract light inwards to a focal point or refract light in a way that makes the rays diverge.
Lenses can be found in cameras and in our eyes. Total Internal Reflection is what makes, for example diamonds so sparkly, and reflectors so reflective. So what is it? Total Internal Reflection is basically the total reflection of light from an internal surface of a substance when light strikes the internal surface at a high enough angle. It occurs even if the substance itself is otherwise transparent. Total Internal Reflection is basically the total reflection of light when, at a high enough angle, light strikes an internal surface of some material, even if the material itself is otherwise transparent.
Now earlier on we saw how light refracts towards the normal when it slows down. We looked at angles of incidence of 0 degrees all the way up to 80 degrees for light going from air into water and from air into perspex. However, when light passes from say perspex to air it refracts away from the normal. At some point the angle of refraction will reach 90 degrees, before the angle of incidence does. So what happens then? Here are some actual angles of incidence and angles of refraction of light moving from perspex to air.
A 40 degree incident angle produces an angle of refraction of about 73 degrees. At a slightly higher angle, the refracted ray gets even closer to 90 degrees.
As the angle of incidence increases, the angle of refraction also increases, but, importantly, more and more light reflects when it strikes the internal surface of the perspex and less and less exits the perspex. In this photo, the angle of refraction is about 85 degrees. As you can see, most, but not all, of the light is reflecting not refracting. This angle is called the critical angle. This glass prism is completely see-through, but if light hits an internal surface at an angle greater than 42 degrees, the surface becomes a perfect mirror because of total internal reflection.
We can see the two markers through the glass, but if I position the prism in a certain way, we can see that the light coming from the orange marker passes into the glass here but totally internally reflects from this surface which is acting like a mirror.
The same thing is happening with the light coming from the blue marker. Here we can see that the perspex block is completely transparent, but if we move the light box shining the yellow light to this position, the light hits the internal surface of the perspex at an angle greater than the critical angle, so instead of passing through, it totally internally reflects.
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